Writer/Producer Vince Gilligan was interviewed for nearly four hours in Burbank, CA. He talked about knowing that he wanted to be involved with storytelling, in film or television, from a very early age. He discussed his education at NYU Film school and winning a screenwriting award which lead to his first jobs in television writing. He discussed becoming a staff writer on The X-Files after a chance meeting with series’ creator Chris Carter. He spoke in great detail about his seven years as a writer, and later producer, on X-Files and described several specific episodes including the Emmy-winning "Memento Mori". He spoke about the short-lived spinoff, The Lone Gunmen, and how both series were affected by the events of 9/11. He spoke at length about his current project (then concluding season 4), the AMC drama Breaking Bad, which he created and produced. The interview was conducted by Jenni Matz on August 9, 2011.
Gary Lineker interviews Jose Mourinho (BBC) (2007)
Word Cup wurde von März 1996 bis Juni 1999 als TV-Format auf VIVA ausgestrahlt und war von September 2001 bis Dezember 2002 fortan als Radiosendung beim WDR-Sender 1 Live zu hören. Moderiert wurde das TV Format auf VIVA von Tyron Ricketts, der neben Jens „Scope“ Kameke später der Radioshow seine Stimme verlieh.
California's FLIPSIDE fanzine is one of those rare publications that not only reports on and follows a cultural phenomenon, but actually helped in its creation. FLIPSIDE is a chronicler of and commentator on the punk music and lifestyle, as well as a video and record producer and distributor. Some of the most sought after of Flipside releases are the Flipside Video Fanzine series released in the early 1980s which were collections of performances (interview, live, rehearsal, etc.) of punk bands such as Social Distortion, Vandals, Sin 34, Black Flag, RF7, MDC, Descendents, DI, TSOL, Circle Jerks, Husker Du and Youth Brigade.
Forgoing opportunities to appear on more high profile and mainstream platforms, David Choe recently sat down with talk show host Howard Stern to talk about the recent news surrounding his alleged $200 million pay day thanks to Facebook’s $5 billion IPO. For those unaware of Choe’s personality, the extensive interview offers an honest look into his background, interest in gambling, sex and above all else his loss of privacy at the hands of Facebook’s IPO.
David Karp, the founder of the blogging platform Tumblr, was 17 when he decided to cut the apron strings and move to Tokyo. With a smattering of Japanese and a sharp eye for computer code, the impatient Manhattan teenager embarked on a period of self-discovery. "I was holed up in the middle of this world where it was just me on the internet," Karp recalls. Within weeks, he had fine-tuned his computer skills and cooled on the idea of building robots. He wanted to be an entrepreneur. But there was one small problem: his voice. "I was so silly – I tried to be very formal and put on a deep voice to clients over the phone so I didn't have to meet them and give away how young I was," he says. "I lied about my age. I lied about the size of my team. I lied about my experience. I was so terribly embarassed about it for so long. I should have just owned up."
Abductees: created from real interviews of people who claim alien abduction, some taken while under hypnosis.
Taken from tv early one morning, had to cut about a minute off the start to get it on Youtube, but you get the gist.
In the interview, Tunechi calls Game, Juelz Santana, Kanye West and Jim Jones the best rappers, explains why he is better than Jay-Z, tells us what guns he has and how he shoots them, getting banned from Wet Willies in Miami for putting his cigar in the owners drink, the photo of him and Birdman kissing, says The Hot Boys used to kiss as well because of black mob love, breaking up with Trina, addresses Clipse trying to start beef with him, his daughter Reginae, spending a million dollars on weed each year, and plenty more. Don’t forget, this interview took place in 2006!
I only make something when I feel like it's right, or if I have the right materials. I don't use the internet, I find everything I put out by hand, and sometimes I don't find enough material, or I make stuff and then I just don't like it. Also, Fucking Awesome isn't seasonal, it's just there when it's there, and I don't make much of it. I constantly shoot myself in the foot from a business standpoint actually 'cause I make it for sale but at the same time I don't want you to have it. It's a bit of a personality disorder company.
Earsnot is a writer who’s appetite for vandalism is only matched by his aptitude for the city around him. As President of the infamous IRAK crew, Earsnot (born Kunle Martins) lead more than 20 of NYC’s most prolific writers through an all city graffiti onslaught beginning in the late 1990’s. Stealing what they needed to get by and leaving their mark wherever they went; Earsnot and IRAK would serve as the disciples of downtown. The city was their playground: from building rooftops, to subway tunnels, to nearly every street sign / trash can / or doorway in between; there was no square foot of the entire city that wasn’t a potential target for Kunle and his crew. Earsnot is now recognized as one of the most prominent writers in NYC graffiti history, and with 10+ year old tags still blanketing each of the 5 Boroughs; it’s easy to see why.
A couple of times during the trip, when the tour bus is too hotboxed or somebody's boxers are on the floor, Tyler jokes about going solo. But when he accepted his MTV Video Music Award for Best New Artist this year, his mom crying and screaming at his side, he delivered his largely bleeped-out speech with the group hopping around and hugging behind him. "I would never, never leave these dudes," he says. "Without them trusting my lead and having my back no matter what the fuck happened, I wouldn't be here. Because I come up with some crazy shit, and nobody trusted me, but these motherfuckers was like, 'You know what? Fuck it, eat a roach.'"
Union geht neue Wege im Profi-Fußball, denn in Zukunft sollen Anhänger und Sponsoren Stadionaktien erwerben. Vereinspräsident Dirk Zingler ist für eine „sinnvolle Kommerzialisierung“ und spricht im Interview mit der Berliner Zeitung über die gegenwärtige Fußballkultur.
"Bei uns stehen die Fans. Weil Menschen anders jubeln und singen und ein Spiel genießen, wenn sie auf beiden Beinen stehen. Sie sind aktiver, sie sind mehr dabei. Hinzu kommt das, was wir "dosierte Kommerzialisierung" nennen. Das heißt, ein Eckball wird bei uns nicht von einem Sponsor präsentiert. Er findet einfach statt. Ohne Firlefanz, ohne Unterbrechung. Es gibt keine Fanfaren zwischendurch, keine Werbespots. Nichts, was die Atmosphäre stört, was einen vom Spiel ablenkt."
Von den Achtzigern, in denen alles begann, über die Neunziger, in denen Savas auf Englisch rappte und als Writer aktiv war, die Ära von Hamburg und Stuttgart und die folgende Gangsterrapwelle bis heute. Rapgeschichte aus der Sicht des King of Rap.
Alternativlos 20 ist draussen, mit dem Gast Frank Schirrmacher (FAZ-Mitherausgeber) über den polistischen Diskurs im Wandel der Zeit.
Interview with Erik Ellington in Copenhagen while on tour with Supra where he talks about coming up, starting companies, his role in the industry with Baker and Deathwish, people getting Piss Drunx tattoos and how deadlines bum him out.
We’ve always been a fuckin outcast and shit, but it’s cool, because that’s what’s gonna make us great in the future.
Hier seht Ihr den 27. Teil der RAP CITY BERLIN DVD 1 aus dem Jahr 2005 jetzt mit "ROYAL BUNKER".
RZA of the pioneering hip-hop collective discusses his directorial debut, playing Glastonbury and the next generation of Wu tale. If Odd Future have recently caused a minor sensation with their playground antics, then Wu-Tang Clan pretty much tore up the rap rule book and smoked it.
Wu Tang Goes Thru Park Hill Projects Staten Island, Interview.
We met up with Ed Templeton before the opening of his latest show in Copenhagen, "My soul is worried but not me", to talk about his carreer as a professional skateboarder and his other carreer as an artist.
Interview by Per Andreasen. Camerawork by Morten Westh and Søren Tolshave.
1993-03-15 - ABC "In Concert", Owl Farm - Woody Creek, C / A classic. Keith hanging out at Hunter's place. Includes the awesome "tape recorder intro" from the hotel.
"Er stellt mir eine so kinderleichte wie schwindelerregende Rechenaufgabe: »Ein Kilo Koks kommt für 10000 bis 12000 Euro nach Secondigliano. Beim Weiterverkauf bringt das Kilo einen Reingewinn von rund 100000 Euro. Es gibt Dealer, die arbeiten rund um die Uhr und verticken bis zu zwei Kilo täglich. Und jetzt sag mir mal, wie viel da an einem Tag reinkommt?« Wenn man bedenkt, dass ein lokaler Dealerring bis zu fünfzehn Plätze bespielt, kommen allein mit Kokain drei Millionen Euro rein, und das alle vierundzwanzig Stunden."
This interview is special on so many levels to us here @ UGHH, because we're huge fans of David Choe's work, but also, because somehow Van$tylez was able to crack the exterior of David Choe's skull and sip the juice from the inner recesses of his psyche. If I had any sort of psychiatric background, I would be able to give you something better for this description.. but instead I'll just suggest that you watch for yourself.
Schwerwiegende Verständigungsprobleme.