When the head of Fox News moved to Garrison, New York, he bougt a little newspaper and tried to instill his own brand of American values. Guess what happened next?
Sometimes, as in the case with three men busted recently in New Jersey, recyclers will allegedly form a front business ("Metro Paper Inc.") to support their cardboard ring. A favored tactic of this particular heist squad, according to the authorities, was to back their vehicles up to stores while pretending to be licensed haulers. With nobody on the loading docks apparently questioning their authority, they're suspected to have made off with 900 tons of cardboard in just three months this year, a weight that represents $103,000 in free money.
The social club wasn’t so inviting, though, and had a lot of attitude. We made the rules and ran a business that was very successful. People were addicted to the clothes like a drug. We didn’t want to work so hard so we developed a sales style that worked in our favour. In the early days, it was like, come in, but don’t touch. You can look with your eyes, but not with your hands. It was a crazy way to sell garments but the customer learned the deal: don’t fuck with us and we won’t fuck with you.
Diamante said he stopped cutting his hair in 1988, when he was a senior in high school. “There was a change in my life, and it felt right, and I just stopped cutting it,” he said, the dreadlocks swept behind him as he smoked. (He ties them up for announcing events.) “Will I cut it tomorrow? Maybe. Will I cut it later today? Maybe. Probably not. I try to go day by day and not to future-trip too much. It’s not that I don’t look to the future, but I really like to live in the moment and be present in the moment.”
Earsnot is a writer who’s appetite for vandalism is only matched by his aptitude for the city around him. As President of the infamous IRAK crew, Earsnot (born Kunle Martins) lead more than 20 of NYC’s most prolific writers through an all city graffiti onslaught beginning in the late 1990’s. Stealing what they needed to get by and leaving their mark wherever they went; Earsnot and IRAK would serve as the disciples of downtown. The city was their playground: from building rooftops, to subway tunnels, to nearly every street sign / trash can / or doorway in between; there was no square foot of the entire city that wasn’t a potential target for Kunle and his crew. Earsnot is now recognized as one of the most prominent writers in NYC graffiti history, and with 10+ year old tags still blanketing each of the 5 Boroughs; it’s easy to see why.
This is a live version of Cop Killer by Ice-T & Body Count. They were in New York City August 14, 1991.
A film by Thomas Cambell for Supreme, filmed in NYC 1995
(((unartig))) lives & works in New York City and has been involved in documenting various aspects of underground culture for more than 20 years. Aside from A/V recording, activities included promoting D.I.Y. shows and contributing to print magazines in Germany and the United States. None of the footage is available for sale or trade but screened worldwide on a free admission basis.
An Open Letter to Terry Allen, Noam Chomsky, Alexander Cockburn, David Corn, Chris Hayes, George Monbiot, Matthew Rothschild, and Matt Taibbi: According to several left-leaning critics of the 9/11 Truth Movement, some of its central claims, especially about the destruction of the World Trade Center, show its members to be scientifically challenged. In the opinion of some of these critics, moreover, claims made by members of this movement are sometimes unscientific in the strongest possible sense, implying an acceptance of magic and miracles. After documenting this charge in Part I of this essay, I show in Part II that the exact opposite is the case: that the official account of the destruction of the World Trade Center implies miracles (I give nine examples), and that the 9/11 Truth Movement, in developing an alternative hypothesis, has done so in line with the assumption that the laws of nature did not take a holiday on 9/11. In Part III, I ask these left-leaning critics some questions evoked by the fact that it is they, not members of the 9/11 Truth Movement, who have endorsed a conspiracy theory replete with miracle stories as well as other absurdities.
Documentary about the bicycle messengers who weave their way in and out of traffic in New York City.
"To my knowledge — and I challenge the reader to offer one example — no-one in the entire history of photography, since its invention in 1826 by another Frenchman, Nicéphore Niépce, has produced an image like the Naudet film of American Airlines Flight 11. No other world-shattering event, as sudden, as rapid and as totally unexpected to the people of New York as the arrival of that plane was — which is why, essentially, nobody else got it — has ever been recorded on film: least of all with only six seconds to spare, after a 90-degree camera pan and with the buildings that were both about to be hit over the next 20 minutes centered in the shot, and framed by the buildings on the sides of the street next door, like curtains framing the action on a theatrical stage. There had been nothing like it in the previous 175 years, and there has been nothing like it since. In the putative "Complete History of Documentary Photography," in the chapter entitled "Accidental Pictures of Moments that Changed the World," the only name mentioned would be Jules Naudet's: how many other photographers have a whole branch of the art all to themselves? The unique 9/11 event was the subject of an equally unique photographic achievement."
Since 1979 Clayton Patterson has dedicated his life to documenting the final era of raw creativity and lawlessness in New York City's Lower East Side, a neighborhood famed for art, music and revolutionary minds.